Magick
takes every thought and act for its apparatus; it has the Universe for its
Library and its Laboratory; all Nature is its Subject. […] There are a great
many people who quite misunderstand the nature of Magick. They have an idea
that it is something vague and unreal, instead of being, as it is, a direct
means of coming into contact with reality.
Aleister Crowley - Magick
in Theory and Practice
A universal
science exists through which we can know and work on different planes of
reality and different levels of Consciousness. Through it we can contact and connect
together laws, entities, natural and spiritual forces of whatever order or
grade, both inside and outside of us.
Today we might
define it as the ‘ dynamic of the dimensions’, or the science of correspondence
that – calling upon Hermetic principles[1]:
· through true Will
· applying the correct Knowledge
· employing the necessary
energy
allows us to
overcome the limits of space and time, acting ‘as Above so Below’, on ‘similar responds to similar’ and where ‘Thought creates’.
During the
Renaissance, Magic was correctly referred to as the “Art of making things
happen”. In fact in its most abstract sense magic was seen as a method of obtaining
precise advantages from the relationship between Will, Knowledge and Energy.
More recently,
in a certain sense, magic has also been defined as the unknown or forgotten ‘science’.
We can read in
the Lemegeton, or The Lesser Key of Solomon, that “Magic is nothing more than the highest, most absolute, divine
knowledge of Natural Philosophy, made to
progress towards the complete efficacy of its wondrous workings through a
correct understanding of the inner and hidden virtues of things…”.
Papus (GĂ©rard
Encausse, 1865-1916), in his Methodical
Treatise of Practical Magic says: “Magic is the projection of vital energy
driven by the human Will“.
Aleister
Crowley writes, in his Magick:
Magick
is the Science and Art of causing change to occur in conformity with Will.
[…]
Man
is capable of being and using anything which he perceives, for everything that
he perceives is in a certain sense a part of his being. He may thus subjugate
the whole Universe of which he is conscious to his individual Will.
[…]
Magick
is the Science of understanding oneself and one’s conditions. It is the Art of
applying that understanding in action.
Effectively in
the sixteenth century Jacob Boehme (1575-1624), in his De Electione Gratiae Questiones Theosophicae describes the determining mechanisms of the power of Will in this
way:
The
will is the ‘mysterium magnum’, the great mystery of all wonders and secrets,
and yet it driveth forth itself, through the imagination of the desiring
hunger, into substance. It is the original of nature; its desire maketh a
representation; this representation is no other than the will of the desire,
yet the desire maketh in the will such a substance as the will in itself is.
The true ‘Magia’ is no substance, but the desiring spirit of substance; it is
an unsubstantial matrix, and revealeth of manifesteth itself in the substance.
The ‘Magia’ is a spirit, and the substance is its body. The ‘Magia’ is the
greatest hidden secret, for it is above Nature; it maketh Nature according to
the form of its will.
Another interesting
definition is supplied by Evelyn
Underhill in Mysticism (1930):
Magic in
its uncorrupted form claims to be a practical, intellectual, highly
individualistic science, working towards the declared end of enlarging the
sphere on which the human will can work and obtaining experimental knowledge of
the planes of being usually regarded as being transcendental.
Today we can
define magic as a form of active and aware
mysticism. I would like to discuss those aspects of magic knowledge that can
be found among the basics of the discipline of ‘Esoteric Physics’[2].
Aldous Huxley,
citing the Philosophia Perennis of Leibniz, spoke of
A
metaphysics that recognizes a divine consubstantial Reality in the world of
things, lives and minds; it is a psychology that discovers in the soul
something similar to divine Reality or even identical to it: an ethic which assigns
Mankind as its final goal, the knowledge of the immanent and transcendent Foundation
of all that which is.
Spiritual realization does not consist of reaching any particular
certainty but of a continuous openness to change, of the continuous capacity to
ask questions, to search, to grow and to renew oneself.
Man
is a microcosm: that is, an image (concentrated around the point of
consciousness) of the macrocosm, or Universe. This theorem is guaranteed by the
hylo-idealistic demonstration that the perceptible is an extension, or phantasm
of the nervous system.
Aleister Crowley – Little Essays
Towards Truth
According to all
creation myths, the human being is a great primordial Consciousness that ‘decides’
to have a new experience by renouncing its oneness to reflect itself in a
multiplicity of Form, renouncing all omniscience to explore unpredictability
and therefore free will, to transform an
existential mechanism into a conscious process.
Mankind, forgets immortality to live in time and to experiment with transience
and death, adventuring into the labyrinth of the
possible to re-comprehend the cosmic sense of Self by means of life; our same
life.
Form, worlds and every
being are thus the pieces of a puzzle to be put back together according to a unitary
and complete design that we conserve inside ourselves; that incorruptible
memory of the All. We are Gods all intent on becoming human: we are humans in
gestation.
[1] Hermes Trismegistus is a legendary figure from the
Hellenic Age, venerated as a Master of wisdom and the author of the ‘Corpus Hermeticum’. The foundation of the philosophy known as Hermeticism
is attributed to him. Hermes Trismegistus literally means ‘Hermes the
threefold greatest’. With this name he wanted to assimilate Ermete, Greek god of
logos, Thoth, the Egyptian god of writing, numbers and geometry. According to
the scholar Athanasius Kircher of the XVII century: ‘The Arabs called him
Idris, the Hebrews Hadores(...), the Phoenicians (...) Tauto, the Egyptians
(...) Thot, but also Ptha, and the Greeks Ermete Trismegisto.’ Hermeticism had
a notable influence over Medieval and Renaissance culture.
[2] ‘Esoteric Physics’
is a term that I still use as a result of the experience I had in Damanhur up
until 2004, during which I was the author of numerous essays on the subject. Having
left that Community experience many years ago in order to pursue my own
research in a freer and more authentic way that was closer to my feelings, I
have taken it up again, integrated, compared and developed it in a direction
all of my own – having discussed with many researchers in the broadest of
multi-disciplinary contexts the exploration of
what is an exceptionally vast subject.
No comments:
Post a Comment